![]() ![]() None of those roles are necessarily career-making or award-inviting, and dozens of actors could probably have played them competently-but nowadays, producers show they’re serious by hiring the genuine article. Dance, however, has parlayed his turn on Thrones into a successful late-career renaissance.Īt 74, he’s too old to take on traditional leading-man roles, but he’s brought that intimidating and genteel presence to everything from The Imitation Game to The Crown to (for comedic effect) Big Fat Quiz of Everything. And many of the show’s stars have since returned to those ranks, having failed to capitalize on their moment at the center of the television universe. CHARLES DANCE YOUTUBE TVParticularly in its early seasons, Game of Thrones drew its repertory company mostly from the ranks of fairly anonymous European TV actors-That Guys, at best. From stomping through the throne room to his epistolary puppet mastery to his eventual death on the toilet-a death made all the more shocking because it was the first evidence of Tywin’s vulnerability-Dance commanded the screen, just as Tywin commanded his empire. His was by no means a revolutionary performance, but it was one of the show’s most indelible. At 6-foot-3, with a weather-beaten baritone voice and severe features, Dance conferred authority and authenticity upon a show that, for all its prestige credentials, frequently veered into the ludicrous. There’s a truism about Shakespearean actors being well-suited to sci-fi and fantasy roles Patrick Stewart once articulated it thusly: “he experience that we get in making a 400-year-old text work is exactly what you need for giving credibility and believability to fantasy, science fiction, and the like.” Dance brought those qualities to his performance in Thrones. But the vehicle that thrust Dance from That Guy to Charles Fucking Dance was, of course, Game of Thrones, in which he appeared 27 times as the (at the risk of being unkind to Niccolò Machiavelli) Machiavellian Tywin Lannister. ![]() He crossed the Atlantic every so often for supporting roles in Hollywood films, like Alien 3, or Last Action Hero, or Gosford Park. Prior to 2011, Dance, a Royal Shakespeare Company veteran, had been a fixture on British TV since the mid-1970s. Instead of “Hey, It’s That Guy,” it’s “Hey, It’s Charles Fucking Dance.” But as a character actor, he’s transcended the “Hey, It’s That Guy” status that swallows whole the likes of David Costabile and Reg E. ![]() Dance describes himself first and foremost as “ a working actor,” and he’s rattling off a run of important supporting roles. And early next year, audiences will see Dance in Matthew Vaughn’s The King’s Man, in which he plays another British officer and statesman, Lord Kitchener. He recently completed a two-season run on The Crown as Lord Mountbatten, the last Viceroy of India and mentor to both Prince Philip and Prince Charles. The Feud at the Center of ‘Citizen Kane’ Is a Classic Hollywood Taleĭance, who plays publishing tycoon William Randolph Hearst-the model for Orson Welles’s titular Kane-has been busy as of late. I Watched ‘Citizen Kane’ for the First Time. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |